Tag Archives: word count

QUERY, REVISE, REPEAT

If you glanced at my weekly calendar, you would see time blocks for Research Agents & Query and for Revise. In my weekly goals, I note the number of queries along with the number of pages that I plan to revise. Time blocking makes me show up. Of course, life gets in the way (and I let it!), but I’m proud to report that I have had better-than-ever attendance the past four months. I suspect it’s because sending out queries while deep in the messiness of revising keeps me on my creative toes. Doing both reminds me: I am a writer, I can do this.

Every time I send off a query for my picture book, I feel a loud “YES!” in my writer bones. Yay, my story is out there. And so is my sweat. Each word contains years and years of being turned upside down and inside out. Eventually, I may have to revise my manuscript again. Ugh! I don’t think about that though. I’d rather celebrate that it’s done. For now, it feels great to finally send off 500 words that I care the world about.

Every time I finish revising pages of my YA novel, I feel a huge “I did it!” When a whimper of “I wish I got further” creeps in, I give myself a “you got this!” Yay, my revising is getting there, as I cut, re-arrange, rewrite and enjoy an occasional epiphany when I carve out a new scene or one sentence flows smooth and crisp. It feels great to be close to the finish line of 80,000 words that I think about day and night.

Querying and revising balance my writer mojo. They are yoga. Querying is me following my teacher’s specific instructions. Revising is me slowly sinking into the pose, adjusting my feet, tweaking the shape of my hand, remembering to breathe, and challenging myself to stretch longer, further till gradually, my body does something I never knew possible. Just like my characters do when I follow them. Just like my story flows when I remember to breathe!

Undoubtedly, querying is a refreshing change of pace and motivates me to stay in the revising trenches.

-It’s concrete and point-blank – a healthy break from the land of fiction.

-Researching agents keeps me tuned in to this crazy industry.

-Learning. Helps me update my package for my YA novel (logline, pitch, synopsis, etc.).

-Gives me a sense of completion amid day-after-day plowing through revision.

-Amps up my writer confidence.

Querying is baking. The don’t-deviate exactness of baking pushes me to diligently concentrate, the same way that I follow submission guidelines to a tee. I go to hyper focus mode to get everything right. Recently, for example, an agent’s instructions said to attach picture book manuscripts. I re-read that line several times. Because? All other agents have stated, NO attachments. I do the same when I bake. I re-read each step to make sure I use a teaspoon vs a tablespoon, baking soda vs baking powder, whisk in vs stir in… Like querying, reading baking instructions works my brain muscles. But, what a thrill to pull my cake out of the oven. It’s done. I feel that way after I send off another query. It’s done. Yes, a rejection is a cake gone wrong. It burns me. But, I get to bake another. I get to send out another query. Afterall, I must reach my goal.

Revising is cooking. I prefer cooking, because I get to invent, combine, add another spice and research (what’s a Lepiota mushroom?). I love revising recipes – cutting, adding, switching spices and ingredients… Just like revising my YA. Letting myself play and experiment keeps me energized. For instance, I’ve relied on freewriting dialogue to take my secondary characters from flat cardboard to three-dimensional humans. I’ve resorted to longhand to rewrite highly emotional scenes. My pen makes me slow down the rolling-boil action and grant my character a chance to sit on simmer. What a joy to sit with my characters! I feel that way when I finish cooking, especially a soup that’s simmered all day. Yes, some soups have no zing, just like so many of my sentences.  But, I always return to my writing recipe – Beat Sheets, notes and my synopsis – to stay on track. Then, it’s back to the keyboard. Afterall, I must reach my goal.

Juggling querying and revising doesn’t make this whole writing thing any easier. It’s such hard, hard work. Juggling feeds my creative longing and insatiable curiosity – and by gosh, it gives me hope!

 

Over time, juggling would come to seem slower.  You are doing it.  –Heather Wolf, juggler and author, Birding at The Bridge: In Search of Every Bird on the Brooklyn Waterfont

 

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Filed under Agents, craft advice, critique, Karen McChesney, Main character, Motivation, Persistence, Picture Books, Revision process, What I am doing now

Deep Dive into Your Target Word Count

As you develop your story, there are so many components to consider and perfect: a strong character arc, varied pacing, stellar dialogue, beautiful descriptions… the list goes on and on. But one factor you must always consider is word count.

If your novel is too short, it might not be considered ‘meaty’ enough for the age group. If your novel is too long, agents and publishers might worry that it has a ‘saggy middle’ or is filled with fluff. And for picture books, the current trend is definitely shorter over longer, but that can look very different depending on the age of the targeted audience and whether the book is fiction or non-fiction.

So what do you do?

First, because this can change over time, research the current trends for word length for the type of book you are writing (type something like “word length for picture books” in the search engine and see what you get). Here’s an article from Writer’s Digest to get you started.

Second, find comparison (comps) and/or mentor texts. Story Spinner Susan Wroble wrote a great post on how to do this.

Third, use a fantastic resource like Accelerated Reader Bookfinder (www.arbookfind.com) to see how those comp and mentor texts measure up when it comes to word count.

When you search for a book, AR Bookfinder will give you a lot of information (short blurb, ATOS book level, interest level, rating, whether it is fiction or non-fiction, subtopics, etc.), but most importantly (for this post) it will give you the specific word count for the book.

This is critical because page length can vary – just think about the difference between a story submitted in 11 point font, single spaced, with ½ inch margins vs. a double spaced, 14 point font, with 2-inch margins. This is why the industry is so specific about the formatting that you use when submitting materials – it gives some consistency about what ‘5 pages’ really means. But when you’re publishing a book, you have no such limitations. The pages can differ in size of the book itself, in margins, in fonts and font size… the list goes on and on. While, in general, more pages means more words, two books that are 250 physical pages can have very different word lengths. Nowhere can you see that more than in picture books.

Here are four examples:

** If you have trouble seeing the table, the information is written at the end of the blog post

 

These are four wonderful books, all targeted to the K-3 reader, but they couldn’t be more different. And that is reflected not only in the way the books are written (prose vs. dialogue, for example) but in the word length. For these four books, the book with the most pages has the smallest number of words. Seeing how your book stacks up in word length to a book similar to yours can give you a good sense as to whether you are hitting the mark.

 

If your picture book is 700 words, and your comp titles all range from 400-500, your book may be too long for your target audience.  If your mentor texts are 45,000  – 50,000 words, and your novel is 17,000 words, again — potential problem. Your book lengths don’t need to be an exact match, but hitting market expectations is important in securing an agent and/or a publisher, or in getting readers if you decide to indie publish.

 

And … don’t use a single text to decide if you are hitting this mark because, just like rules for ‘i before e’ there are exceptions out there. Could your book be double (or half) the expected length and still sell? Of course it could! But make sure when you decide that your final manuscript is really final, you know how your book measures up.

***

If you couldn’t read the table, here is the information on the four picture books:

Alma and How She Got Her Name by Juana Martinez-Neal

Fiction, 32 pages, 341 words

Thank You, Omu! by Oge Mora

Fiction, 36 pages, 822 words

I Dissent: Ruth Bader Ginsburg Makes Her Mark by Debbie  Levy, Illustrated by Elizabeth Baddeley

Nonfiction, 40 pages, 1802 words

 Waiting Is Not Easy! by Mo Willems

Fiction, 58 pages, 197 words

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Filed under Coral Jenrette, craft advice, Revision process