Category Archives: Persistence

THE GIRL WHO SANG

Last year in November, my dear friend Estelle Nadel passed away. She was about to turn eighty-nine-years-old. In January of 2024, only months after her death, her graphic novel memoir, THE GIRL WHO SANG, came out into the world. This saga of Estelle’s (Enia in Polish) traumatic childhood as a young Jewish girl in Borek, Poland during the Holocaust, is moving, heart-wrenching, and powerful. And the story is greatly enhanced by the drawings of illustrator and storyboard artist, Sammy Savos.

Estelle’s story is one of life-threatening events, narrow escapes, and compassionate neighbors. She told it many times – in schools, on the news, and ultimately for the Steven Spielberg’s Survivors of the Shoah Visual History Foundation. She cried during every presentation. She couldn’t help it. Her life had been so difficult. But she was driven to keep going and often said, “People need to know this really happened… and that it happened to me. I have to do it now because I won’t be around forever.”

I was so happy when Estelle told me she had found both an agent and a publisher. I also told her that publishing a book, especially one with illustrations, could take years. At first, she wasn’t sure about it being a graphic novel. She didn’t want the illustrations to minimize the seriousness of what had happened to her. But her agent and editor felt like this was the best format to use in order to get her story into the hands of young readers. And after seeing the final product, I totally agree.

Last month, Estelle’s illustrator, Sammy Savos, did a Zoom presentation for one of my critique groups. I had been communicating with Sammy via email for many months and trusted that she would give us a good sense of her process. I hadn’t met Sammy in person or even spoken to her on the phone. Still, her heartfelt and appreciative correspondence made me think we were in for a treat. And boy, was I was right. Sammy’s talk was INCREDIBLE.

For a group of mostly kidlit writers, seeing and hearing about Sammy’s illustration process was mind-boggling. Not only did it take four-and-a-half years to complete the book, Sammy’s attention to detail was unprecedented. She had a very personal story to tell with many emotional components. Estelle’s father, sister, and one of her brothers were taken to Auschwitz and murdered. Her mother was shot in front of their small farm house. Estelle (Enia) and her one of her surviving two brothers were put in a jail cell as young children. They miraculously escaped and found their way to a neighbor’s house. That neighbor not only took them in, she hid them for over two years in the attic of her barn. And even when the war was over and Estelle and her remaining family members were liberated by the Russians, she still wasn’t safe. She and her brothers were taken to a displaced persons’ camp in Austria. But after a soldier heard Estelle sing, she and her brothers were given passage on a ship to America.

Sammy did an amazing job capturing Estelle’s life in Poland, giving particular attention to the buildings, clothing, and facial expressions of family members. She took great care in choosing the proper color palette to give the story a realistic tone. She made sure all the characters were proportional to one another, wore the proper clothing, and kept detailed notes about the timeline of events. Many of her drawings were inspired by the few photographs Estelle had from her childhood, and from her subsequent trips to Poland. Other information was gleaned by Sammy’s own meticulous research.

But most importantly, Sammy wanted to get the story right. She wanted to honor Estelle and her family, by getting the emotional and factual information as true as possible. She wanted young readers to learn about what had happened to Jews during the Holocaust by learning about a real person who had experienced it. Estelle and Sammy never met, but Sammy would often confer with Estelle by phone. And through it all, they developed a close bond. Sammy is in her twenties, Estelle was in her eighties. But the two connected as if they were related. As it turns out, members of Sammy’s family lived about an hour away from Estelle’s hometown of Borek, Poland before they came to America.

Estelle loved to sing, and I had the privilege of singing with her in our synagogue’s choir for many years. Whenever we were together, she always made time to ask me about my family and how I was doing. Despite her traumatic childhood, Estelle remained positive, active, and compassionate. She went on yearly trips to Poland where she participated in The March of the Living. She, and the grandson of the neighbor who had hidden her, gave talks in Polish schools about what had happened during the war. But her biggest claim to fame, Estelle’s signature line was telling everyone she cared about that she loved them. She didn’t want those words to go unsaid.

I am so thrilled that THE GIRL WHO SANG is out in the world to honor her legacy. Thank you Estelle, for telling your story, and thank you, Sammy, for bringing it to life.

 

 

 

 

 

 

 

6 Comments

Filed under 2024, Book Review, Graphic Novels, Interviews, Middle Grade, Nonfiction, Persistence, Rondi Frieder

RESEARCHING AGENTS: LEARNING AND MORE LEARNING!

Research, research, research. I have been doing lots lately. I’m in search of agents to query. This isn’t my first time. But yay me! After years of practice, I have become a quick-study combing through online resources: Manuscript Wish List (MSWL), QueryTracker, PublishersMarketplace, AgentQuery, Reedsy Marketplace, agent websites, interviews with agents, etc. Researching agents is being a detective – double-checking information; sleuthing for key words and phrases to find ones that fit the theme, plot, voice and vibe of my picture book and young adult novel; and running through agent’s social media posts.

One thing has stayed the same. It’s very tedious work. Very!! And there is no short cut. But I am always learning, especially when I see unfamiliar words and phrases on MSWL Some I need to know; others pique my curiosity. So, I thought I would share my latest “glossary.”

AYKB – Stands for “As you know, Bob…,” a technique writers often use to reveal important background information without taking readers out of the story.

BAME – Stands for Black, Asian, Minority Ethnic (writers).

Complex dynamics – Can mean complex characters or dynamic relationships between characters. When creating “complex dynamics,” here are tips for creating your characters: Find out what matters to them. Free write, play with characters to understand their complexities. Explore their backstory. Use characters’ surroundings to develop them.

Dark academia – Set in an elite school with old, crumbling gothic architecture, a dark library, eerie common rooms. Students wear uniforms and enjoy discussing art, literature, philosophy. Typically, there is one group of students that set themselves apart – by choice or through prejudice. Recommend: THE RAVENS (series) by Kass Morgan.

Dead genres – In the words of an agent, “I want the genres everyone says are dead. There is absolutely still room for ‘dead’ genres.”

DEAI – Stands for Diversity, Equity, Accessibility, and Inclusion.

Epistolary novel – Fiction written in the form of letters or other documents, such as emails, journal entries, texts, etc. Recommend: YOURS FROM THE TOWER by Sally Nicholls

Escapism – Stories with big characters, high stakes, and ideally, a happy ending. Recommend: DRAGONFRUIT by Makiia Lucier.

Fabulism –Stories that have fantastical elements entwined with the everyday perfectly ordinary – and don’t explain why. Recommend: THE ASTONISHING COLOR OF EVER AFTER by Emily X.R. Pan.

HEA – Stands for Happily Ever After.

Head hopping – When a writer hops between different characters’ perspectives (“heads”) within the same scene.

Intersectionality – Describes the way people’s social identities can overlap. Coined by Columbia law professor Kimberle Crenshaw: “It’s basically a lens, a prism, for seeing the way in which various forms of inequality often operate together and exacerbate each other.”

LitRPG – Stands for Literary Role-Playing Games, a genre combining the conventions of computer role-playing games with science fiction and fantasy novels. Recommend: Clan Dominance: The Sleepless Ones 1 by Dem Mikhailov.

Lower YA – category of young adult fiction aimed at ages 11-13. Typical elements: 1) Likeable protagonist with hints of heavy family topics/issues. 2) Mostly happy, resolution filled ending. 3) High school setting and first love type romance. Recommend: LUCKY IN LOVE by Kasie West.

Middle YA – category of YA aimed at ages 14-16. Typical elements: 1) Traumatic protagonist backstory. 2) Protagonists have a clear identity outside of their family. 3) More diverse, dynamic supporting characters. 4) Romantic relationships with more intimacy and meaning. Recommend: THE NAMES THEY GAVE US by Emery Lord.

Upper YA – category of YA aimed at ages 17+. Typical elements: 1) Protagonist out of high school or close to graduating; navigating post high school life; could be living on own. 2) Deeper introspection of protagonist’s flaws, strengths, wants. 3) Higher stakes and consequences for protagonist’s actions, decisions. 3) Romantic relationships with physical intimacy and/or focusing on long term. Recommend: THE REAPPEARNCE OF RACHEL PRICE by Holly Jackson.

Message novels – The author has a specific agenda – a message. Written to specifically promote an idea or concept.

Mirrors, windows and sliding glass doors – Dr. Rudine Sims Bishop, known for her groundbreaking research and advocacy for diversity and representation in children’s books, pioneered the concept that all readers must experience “seeing” themselves (mirrors), different perspectives (windows) and “stepping into” the experiences of others (sliding glass doors).

Selkies – Mythological creatures from Scottish folklore. They shapeshift between seal and human forms by removing or putting on their seal skin. Recommend: TIDES by Betsy Cornwell, SEVEN TEARS INTO THE SEA by Terri Farley.

 

Mind-boggling? Sure is. Every phase of writing is mind-boggling. But I keep soaking up support, like the recent advice from one of my author-mentors: “Work hard, work harder. What comes will come.”

 

 

5 Comments

Filed under Agents, Karen McChesney, Main character, Marketing, Motivation, Persistence, Picture Books

Auditioning: Putting My Pages Out There

The timer went off. I had just finished a productive 50-minute revising session. But then… my break turned into being online too long. I disappeared into the SCBWI website, reading all about upcoming webinars. Yes, I was procrastinating. Yes, I was hoping a super power would finish editing a chunk of my young adult novel. It was due to my young adult novel exchange partner in five days.

Just as I was about to close the website, one webinar jumped out at me. It cheered, “Sign up. Now! Don’t think. Do it.” The webinar featured an agent giving live feedback on the first 10 pages. Ten pages? Wow! Rare, I thought. And curious. One seat was left. It was mid-day. The pages were due at 5pm the next day.

“Nope, too late,” I thought. “Besides, my manuscript isn’t query ready.” Meanwhile, my neuro divergent brain was full speed ahead, doing a jig and high on a possible challenge. I quickly googled the agent’s website and Manuscript Wish List. I got goosebumps. She was seeking the themes steeped in my YA novel.

Minutes later, I was registered. Plus, I paid extra ($25) for the agent’s post webinar detailed critique of my first 50 pages. What an adrenalin rush! What a perfect way to put my pages out there. An audition of sorts.

The spontaneity was energizing. This wasn’t the first time that I had jumped and registered last minute for a pitch or contest. Perhaps, the stars simply align that way for me.

Unfortunately, in this instance, there was one problem. A big problem. I had not looked at the first five chapters of my YA novel in months. Many months. I had been hyper focused on cutting, editing and polishing the last act. Yikes!

I immediately hunkered into my editing cave. The good news, it was easy to cut and edit, because I had moved parts from the beginning to the second and third acts. The bad news, it was very challenging to re-figure the first chapter. It no longer fit, as a result of my final revision. I felt stuck and overwhelmed. If only it made sense to start with chapter two. But, I needed a set up. Ugh.

I re-read the Beat Sheets (from SAVE THE CAT! BEAT SHEET WORKBOOK by Jamie Nash) that I had done and re-done for this novel. I re-read the first act. I handwrote notes; did free writes of possible first pages. Geesh. Was I really going back to the drawing board? Insane! I couldn’t delay; couldn’t stop. I had a deadline.

Fast forward. The webinar was an incredible experience. Each attendee’s first five pages appeared on screen, while the facilitator read them aloud. The agent devoted six minutes to each work, giving succinct, insightful, thought-provoking feedback aloud that she had prepared in advance. Everyone listened. No interactions, discussions, questions. I loved the meditative, deep thinking mood – and generous quiet time to soak up the sound of our prose and a professional’s reaction.

Of course, I was nervous and full of “I should have changed this, cut that…” But it was too late. It was un-polished. It didn’t matter. My work was out there. The curtains were wide open. An audition.

Lesson learned: Put my pages out there before I’m ready to query. The webinar pushed me outside the “I have to” box. I have to have a full manuscript ready before I…  Ever since, it has felt liberating and reassuring to keep entering pages in a contest, online sessions, etc. Intimidating? You bet! But these auditions keep me moving forward and believing in my novel. Best of all, they give me a reality check.

By the way, the agent’s detailed ($25) feedback was a huge perk. Pages of positives, keen insightful suggestions, along with discerning questions. I have added her to my To Query spreadsheet.

Here’s to auditioning your work in progress! Why wait? Give these opportunities a try and look for more. Congratulate yourself on putting your pages out there.

Webinars: SCBWI Regional Virtual Events https://www.scbwi.org/regional-virtual-events

March contests for YA novel excerpts: (Winners are assigned to an editor or mentor that coaches you to a polished manuscript.)

#RevPit 2024 Annual Contest  https://reviseresub.com/annual-contest

First Page Prize   https://www.firstpagesprize.com/

Gutsy Great Novelist  https://gutsygreatnovelist.com/chapter-one-prize/

Uncharted Novel Excerpt Contest  https://www.unchartedmag.com/uncharted-magazine-novel-excerpt-prize-judged-by-keshe-chow/

 

There’s no time like the present. –MG and YA acclaimed author, Victoria Hanley

 

 

 

 

 

 

 

 

 

2 Comments

Filed under 2023, Agents, craft advice, critique, Karen McChesney, Literacy Program, Main character, Middle Grade, Motivation, Persistence, Revision process, RMC-SCBWI, Upcoming

Finding The YA in Learning

 

Murder. Secrets. Drugs. Gossip. Lies. Sexuality. Romance. Magic. Identity. Rumors. Breakups.

Hang out with a group of YA writers and you’ll likely hear these words, along with more provocative, dark, odd, edgy, far-out, intense, hilarious, eccentric, juicy, shocking topics. We love teens. We love big drama and conjuring a mess for our teen characters in current time or mystical worlds.

Other kid-lit writers often say we’re nuts for writing over 75,000 words. But we can’t get enough. We want to hold on to every word. No wonder our revisions can take years and years as we cut, trim, tighten hundreds of pages.

Thanks to my critique group, Story Spinners, I unexpectedly joined the YA writer “club” years ago after they nudged me to turn my coming-of-age short story into a YA novel. I was clueless and intimidated, but I couldn’t stop writing. I’m incredibly fortunate to be part of the SCBWI-Rocky Mountain Chapter’s YA community. And I’m in awe of how everyone cheers each other on at book launches and events by and for YA writers.

My fellow YA’ers and I adamantly long to be with our peers and find YA-only classes. No offense, picture book and middle grade writers. We adore you and your books! Just like our teen characters, we long to be belong; we want to be in a YA cluster. But, we’ll be the first to admit, we often feel like the misfits in writer land. Afterall, YA novels are a far cry from Middle Grade.

Perhaps that’s why our search for YA-only learning is constant and fierce. The past few months, for instance, several YA writers and I started researching YA-only workshops, courses, and other ways to amp up our learning.

Here’s what we have found so far:

Workshops/Courses:

Wordsmith Workshops https://www.wordsmithworkshops.com/

Vermont College of Fine Arts https://vcfa.edu/writing-novels-for-young-people-retreat/

Hugo House https://hugohouse.org/product/young-adult-fiction-workshop/

Writer’s Digest University https://www.writersonlineworkshops.com/courses/writing-the-young-adult-novel

UCLA Extension https://www.uclaextension.edu/writing-journalism/creative-writing/course/young-adult-novel-i-writing-x-4451

Tin House https://tinhouse.com/workshop/

From SCBWI:

YA Connect and Other Connects https://www.scbwi.org/regions/rmc/events

YA Connect is free and offered every other month by and for YA writers of all levels to learn and meet fellow YA writers. Most YA Connects are both in-person & Zoom.

Michelle Begley Mentorship – Due Oct. 31, 2023 https://www.scbwi.org/regions/rmc/RMC-mentorship-program

Weekly Podcast https://www.scbwi.org/podcasts

Most recent one featured Deborah Halverson, award-winning YA author, including Writing Young Adult Fiction For Dummies and Honk If You Hate Me

Monthly Virtual Events, hosted by chapters across the U.S. https://www.scbwi.org/regional-virtual-events

Coming soon:

Lighthouse Writers Workshop, Denver – YA workshops, gatherings https://lighthousewriters.org/

Of course, there are a lot more YA-only opportunities out there. Share your findings in the comments, please. Meanwhile, YA writers: Keep reaching out to find other YA’ers. And remember, teens can’t wait to read your stories – and drama!

2 Comments

Filed under 2023, Agents, craft advice, critique, Graphic Novels, Karen McChesney, Main character, Middle Grade, Motivation, Persistence, Revision process, RMC-SCBWI, Upcoming, What I am doing now

Go Writers, Go!

It was a writer’s dream. That’s how I felt at the recent grand opening of Lighthouse Writers Workshop new building. I was with over 500 other writers in the stunning, custom-built, cozy three-story building designed just for writers. Just for writers!

“We want this to be your home,” said Co-Founder and Director Michael Henry. And, we want it to be a place where writers of all ages, levels, backgrounds, genres come “hang out and write,” added Andrea Dupree, Co-Founder and Program Director.

What could be better? That night, when I left this writer’s paradise, I was riding high. High on great gratitude.

Gratitude for:

-living in a city that has invested in Lighthouse and writers

-living in a state with an incredibly supportive kid-lit writer community

-getting to teach youth at Lighthouse

-my awesome writer critique group, Story Spinners

-SCBWI-RMC

-my writing groups: Young Adult writers, NaNo writers

-my Monday accountability group

-my super supportive husband and friends

-my manuscript exchange partners

-my two late aunts who modeled creative follow-your-dreams living

Wow, I have been incredibly fortunate to have many, many cheerleaders on this crazy journey of querying picture books and revising young adult novels. At the grand opening, one author-speaker reminded, “writers need other writers, create your community.” I am immensely proud that I have created my writer community. And it keeps growing! I have great cheerleaders. Best of all, they have shown me how to be a cheerleader; they have inspired me to make time and show up for other writers.

In that spirit, I decided to share some of my favorite cheers from other writers. I keep them in a notebook and glance at them often, especially when I get a bad case of imposter syndrome. These words give me courage; remind me to have fun; renew my “I can do this.”

May these comments cheer you on, too.

For imposter syndrome: Before writing, take a few minutes to jot down what you’re thinking. Your doubts, your insecurities. Spit ‘em out! Then, write your goal for your session, such as word count, number of pages. At the end of your session, write down what you did.

 Congrats on doing the hard work on your YA. It’ll pay off. Sometimes you just have to plough through the hard stuff.

What an achievement! I am so proud and inspired by your achievement of finishing another revision.

Did you sign on yet for film rights for your book?!!!! I can picture it as a movie.

You hooked me with your pitch. I want to read it!

You sound very clear on your intentions for your YA. Get your story out there!

Hip, hip hooray! I know you’re passionate about this story and I applaud you for sticking with it. This is very hard work!

Aim to send 100 queries. I got my agent on query 101.

It doesn’t matter how long it takes you to finish. What’s most important is that you are staying with the hard work.

Here’s to being cheerleaders and having cheerleaders. Go writers, go!

Lighthouse Writers Workshop is the largest literary center in the Rocky Mountain West. They offer writing instruction, workshops, events, and support for writers of kid-lit, fiction, nonfiction, poetry, and many other genres. New location: 3844 York St., Denver CO 80205. For more information: Lighthouse Writers Workshop |

 

 

 

 

 

4 Comments

Filed under 2023, Agents, craft advice, critique, Karen McChesney, Literacy Program, Motivation, PBParty, Persistence, Picture Books, Revision process, RMC-SCBWI

JUST DO IT!

In the middle of March, I began sending my middle-grade time-travel novel out to agents. And as all experienced writers know, the best thing to do when you are waiting for query responses is to work on something else. My “something else” was an idea I got from a friend after we attended Andrea Wang’s intensive at the RMC-SCBWI Letters and Lines conference last September. (https://www.rondibooks.com/the-stories-hidden-inside-you/) But even though I had a “Beat Sheet” outline from Save the Cat for the Novel by Jessica Brody, I hadn’t written a single word of the story. Luckily, after an animated conversation with my friend and teacher, award-winning author Sarah Aronson (https://saraharonson.com/), I decided to sign up for her eight-week online Highlights class, JUST DO IT – Your Collaborative Support Group for Finishing Your Draft. Sarah would be co-teaching this class with the incredibly articulate and inspirational author and coach, Chris Tebbetts. (https://christebbetts.com/). It sounded like the perfect way to get this book started.

If you have ever done NANOWRIMO (The National Novel Writing Month-long challenge to write 50,000 words in 30 days) you know the joy of writing fast. Just Do It! has a similar premise. It focuses on a creating a daily writing practice with many extra goodies thrown in. The formal part of the class is a one hour Zoom on Wednesday nights where Sarah and Chris give informative presentations on craft. Only there is so much more. Whether you are working on a picture book or a young adult novel, there are writing sprint sessions every day at a variety of times, morning prompts, and inspirational quotes. There are accountability groups, Discord channels for discussion and sharing, and OPEN MIKES! We also received videos and slides and oodles of handouts. But the best part of these two months was being part of a supportive writing community. Our class had over fifty participants from across North America, two guest speakers, and many Highlights staff members coordinating logistics behind the scenes. I felt like I was at a two-month writing retreat without leaving my house.

So, you may ask, after weeks of diligently sitting  at my computer, did I finish my draft? Unfortunately, the answer is no. A variety of expected, and unexpected, life cycle events collided right smack in the middle of the eight weeks. However, I did write 24,000 words, which is probably half the book, right? And more importantly, I am now totally immersed in the world of my new story. I wake up every morning with character traits, plot twists, and image systems rolling around in my brain. And after my recent critique with Sarah, I am considering all kinds of possibilities. I am in the zone!

But there’s more. The virtual writing sprints will continue through the summer which should help me pound out the next 24,000 words. Also, my accountability group is planning to keep meeting on a regular basis. We are committed to cheering each other on to the finish line. But here is my biggest takeaway – the greatest change in my writing process: I am way much more comfortable with integrating the concepts of “discovery and play” into my drafting. I have also found the courage to silence my internal editor. (One person in my accountability group has named her IE and repeatedly tells her to stop talking. I now do the same thing and it is phenomenal.) I am finally accepting the fact that plot changes happen when your characters come to life on the page. And although my “Beat Sheet” has been dramatically modified, my themes are stronger and my main character’s true wants and needs are clearer to me. It’s funny, but along with me just doing it, my characters are just doing it, too! And I can’t wait to see what they do next.

If this sounds like something you might be interested in, another Just Do It! class is being offered by Sarah and Chris this fall. You can sign up here: https://www.highlightsfoundation.org/workshop/just-do-it-your-collaborative-support-group-for-finishing-your-draft-fall/

 

 

 

4 Comments

Filed under 2023, craft advice, Main character, Middle Grade, Motivation, Persistence, Revision process, Rondi Frieder, WORD NERD

QUERY, REVISE, REPEAT

If you glanced at my weekly calendar, you would see time blocks for Research Agents & Query and for Revise. In my weekly goals, I note the number of queries along with the number of pages that I plan to revise. Time blocking makes me show up. Of course, life gets in the way (and I let it!), but I’m proud to report that I have had better-than-ever attendance the past four months. I suspect it’s because sending out queries while deep in the messiness of revising keeps me on my creative toes. Doing both reminds me: I am a writer, I can do this.

Every time I send off a query for my picture book, I feel a loud “YES!” in my writer bones. Yay, my story is out there. And so is my sweat. Each word contains years and years of being turned upside down and inside out. Eventually, I may have to revise my manuscript again. Ugh! I don’t think about that though. I’d rather celebrate that it’s done. For now, it feels great to finally send off 500 words that I care the world about.

Every time I finish revising pages of my YA novel, I feel a huge “I did it!” When a whimper of “I wish I got further” creeps in, I give myself a “you got this!” Yay, my revising is getting there, as I cut, re-arrange, rewrite and enjoy an occasional epiphany when I carve out a new scene or one sentence flows smooth and crisp. It feels great to be close to the finish line of 80,000 words that I think about day and night.

Querying and revising balance my writer mojo. They are yoga. Querying is me following my teacher’s specific instructions. Revising is me slowly sinking into the pose, adjusting my feet, tweaking the shape of my hand, remembering to breathe, and challenging myself to stretch longer, further till gradually, my body does something I never knew possible. Just like my characters do when I follow them. Just like my story flows when I remember to breathe!

Undoubtedly, querying is a refreshing change of pace and motivates me to stay in the revising trenches.

-It’s concrete and point-blank – a healthy break from the land of fiction.

-Researching agents keeps me tuned in to this crazy industry.

-Learning. Helps me update my package for my YA novel (logline, pitch, synopsis, etc.).

-Gives me a sense of completion amid day-after-day plowing through revision.

-Amps up my writer confidence.

Querying is baking. The don’t-deviate exactness of baking pushes me to diligently concentrate, the same way that I follow submission guidelines to a tee. I go to hyper focus mode to get everything right. Recently, for example, an agent’s instructions said to attach picture book manuscripts. I re-read that line several times. Because? All other agents have stated, NO attachments. I do the same when I bake. I re-read each step to make sure I use a teaspoon vs a tablespoon, baking soda vs baking powder, whisk in vs stir in… Like querying, reading baking instructions works my brain muscles. But, what a thrill to pull my cake out of the oven. It’s done. I feel that way after I send off another query. It’s done. Yes, a rejection is a cake gone wrong. It burns me. But, I get to bake another. I get to send out another query. Afterall, I must reach my goal.

Revising is cooking. I prefer cooking, because I get to invent, combine, add another spice and research (what’s a Lepiota mushroom?). I love revising recipes – cutting, adding, switching spices and ingredients… Just like revising my YA. Letting myself play and experiment keeps me energized. For instance, I’ve relied on freewriting dialogue to take my secondary characters from flat cardboard to three-dimensional humans. I’ve resorted to longhand to rewrite highly emotional scenes. My pen makes me slow down the rolling-boil action and grant my character a chance to sit on simmer. What a joy to sit with my characters! I feel that way when I finish cooking, especially a soup that’s simmered all day. Yes, some soups have no zing, just like so many of my sentences.  But, I always return to my writing recipe – Beat Sheets, notes and my synopsis – to stay on track. Then, it’s back to the keyboard. Afterall, I must reach my goal.

Juggling querying and revising doesn’t make this whole writing thing any easier. It’s such hard, hard work. Juggling feeds my creative longing and insatiable curiosity – and by gosh, it gives me hope!

 

Over time, juggling would come to seem slower.  You are doing it.  –Heather Wolf, juggler and author, Birding at The Bridge: In Search of Every Bird on the Brooklyn Waterfont

 

3 Comments

Filed under Agents, craft advice, critique, Karen McChesney, Main character, Motivation, Persistence, Picture Books, Revision process, What I am doing now

The Secret of Children’s Book Publishing

By Susan Wroble, February 2023

Psssst… Want to know the secret of children’s book publishing? At the Rocky Mountain Chapter of SCBWI’s panel at the CCIRA literacy conference in February, authors and illustrators shared some of the stories behind their stories. The answer? It’s simple and painful, both.

Persistence.

For some, persistence has meant staying focused over time. Author/Illustrator Kaz Windness is truly on fire, with seven book deals this year! But getting to this point? That took twenty years. And learning the industry also meant learning when a book would be best illustrated by someone else. Kaz wrote A BOOK IS A FRIEND (fall 2024) with illustrator Heather Brockman-Lee’s artwork in mind

Author Jennifer Chambliss Bertman joined SCBWI back in 2000. She worked on writing picture books for years, getting nowhere. She was ready to give up when she decided to try writing for an older audience, and began work on her highly successful middle-grade books instead. After 23 years, Jennifer’s debut picture book, A GOOD DEED CAN GROW, was released last month.

Bianca Schultz’s passion is literacy and growing readers. She founded The Children’s Book Review in 2008 with the goal of helping kids and their parents, caregivers and librarians find great books. The first of her popular “Dragon” series was published in 2020.

Persistence can come in other forms. For Laura Perdew, it meant being willing to write about lots of topics. She found one of the short-cuts into publishing—the work-for-hire market. WFH books are typically found in school libraries. The publisher, not the writer, determines the specifications. Laura now has more than fifty WFH books, along with her debut traditionally published picture book, THE FORT.

Author/Illustrator Gregory Barrington had published his first picture book with Harper Collins, but the editor wasn’t at all excited about Greg’s new manuscript. Greg was asked to write a fractured fairy tale instead. He wrote five completely different stories featuring Goldilocks and the Three Bears. He picked his favorite—and was too nervous to submit it. It didn’t come across the way he wanted on the page. Greg decided the solution was NOT to send it. He asked for a virtual meeting, then he read the manuscript aloud. GOLDILOCKS AND THE THREE KNOCKS was released in November.

Albert Whitman had published Jenny Goebel’s book ADELITA, about a sea turtle, when they asked her to write one on insects. No problem, she thought. The catch? They wanted a book on insects as food. By release date, Jenny still hadn’t managed to eat an insect. Imposter syndrome hit hard. The Butterfly Pavilion was all out of edible insects, so Jenny spent the day in search of a bug to eat. Unfortunately, success came in the form of jalapeno-flavored fried crickets. She’s since discovered more easily purchased (and eaten!) “gateway bugs.” And just like her book, they are CHOCOLATE CHIRP COOKIES.

Both Julie Danneberg and Natasha Wing have had incredibly successful series—Julie with the JITTERS series and Natasha with THE NIGHT BEFORE series. And both have worked not only to keep those series going, but to publish in other areas, from nonfiction to jokes.

Sometimes persistence means a lot of research. Author Jessica Speer knew she wanted to focus on problems kids face in middle school. But she wasn’t exactly sure what the biggest challenges were. So she went to schools and listened. She surveyed students. Her book MIDDLE SCHOOL: SAFETY GOOGLES ADVISED focuses on the top ten problems identified by kids.

For authors Andrea Wang and Beth Anderson, persistence has entailed digging deep—sometimes into hard places emotionally—to find the heart of the story. For others, it has been work to find the words. Lynn Becker was hooked by the idea of a sea shanty. Finding just the right words for MONSTERS IN THE BRINY meant literally walking it out, pounding out the beat with her feet. With her novel-in-verse ALONE, author Megan E. Freeman struggled to find the best ways in each poem to convey the story in the fewest possible words, leaving the rest up to the reader.

Author/illustrator Julie Rowan-Zoch was faced with an unusual request—illustrating for a celebrity author. Saturday Night Live’s actor Bobby Moynihan had submitted sample illustrations with his manuscript NOT ALL SHEEP ARE BORING, but the publisher reached out to Julie instead. Many of her initial sketches were turned down before Julie hit the type of compositions the publishers felt comfortable with for this book that they knew would have a huge circulation run.

COVID in the family kept author Kellye Crocker from the CCIRA conference, but PAL Liaison Rondi Frieder told teachers about her book. What Rondi didn’t tell them was that DAD’S GIRLFRIEND AND OTHER ANXIETIES had been hit by supply chain problems, and the publication date had been delayed by months. Then the books didn’t even arrive on time for the rescheduled publication date. Kellye refused to give up, and held a launch party with advance reader copies of the book!

Sometimes, it is the characters who are persistent. Heather Mateus Sappenfield was an adult and YA author. When a fully-formed 12-year-old character named Rill hit her mind, Heather wasn’t remotely interested in writing middle grade. It took Heather and Rill more than a year together before Heather realized that Rill was just the right person to tell an important story. As a teacher, Heather had sometimes walked into her school to find clusters of children, crying. Their parents had been deported the night before. After her book was published, Heather almost threw away an envelope from the Colorado statehouse, assuming it was junk. Instead, it was a treasure—the Colorado General Assembly acknowledged her book’s importance in the state.

 

Whatever the form it may take for you, the secret is clear. Stick with it. Persist.

8 Comments

Filed under 2023, CCIRA, Persistence, RMC-SCBWI, Susan Wroble