Tag Archives: Main character

Facts From a Week in the Life of a Writer

I am ready for a game of Trivial Pursuit or Jeopardy! Perhaps, I’ll actually get a few answers correct. No, on the other hand, I have no need for a competition today. After all, trying to get published is plenty of competition for me. I would rather brew up some tea and share a cup of facts and findings from my past week of research for my new young adult novel, a nonfiction kids article, and a picture book. Oh, how lucky I am to be a perennial student, day after day!

Enjoy! (These are not in any particular order):

  • In the 1960’s, farm kids who ran away from home were called, “field rabbits,” because they roamed the roads with no attachment to their parents.
  • According to an FBI report, in 1967, there was a record number of teenage runaways in the U.S. Some 90,000.
  • The Beatles hit, “She’s Leaving Home,” is based on the true story of 17-year-old runaway Melanie Coe. In the 1997 biography PAUL MCCARTNEY: MANY YEARS FROM NOW, McCartney recalled, “We’d seen a story in the newspaper about a young girl who’d left home and not been found…there were a lot of those at the time, and that was enough to give us a story line. So, I started to get the lyrics – she slips out and leaves a note and then the parents wake up. It was rather poignant.”
  • A high school freshman in California has a collection of more than 3,000 library cards.
  • The first library cards were probably issued at membership libraries, 18th Century organizations where members paid fees (and sometimes books from their own collection) in exchange for the right to check out materials.
  • Crows have a unique way of marking the location of their snacks. They don’t bury food; they cover it with a leaf, twig, grass or other item.
  • Ever since their 2020 audition on “America’s Got Talent” TV show, Brothers Gage have made harmonica hip for teens. 15-year-old Brody and 17-year-old Alex have both been playing since they were five. The harmonica-playing, dancing duo perform at events and school pep rallies around Los Angeles.
  • Some researchers believe that in the 1970’s, teens were running TO something, such as communes, freedom, cults, etc., whereas, today, they are running AWAY from things, such as difficult home life.
  • A strong simple first sentence in a YA: “My name is Mary Katherine Blackwood.” WE HAVE ALWAYS LIVED IN A CASTLE by Shirley Jackson.
  • A strong simple character name in a YA: Uncle Big. THE SKY IS EVERYWHERE by Jandy Nelson, also author of I’LL GIVE YOU THE SUN.
  • A beautiful turning point in a picture book: “Feeling unsure, the girl thought the best thing was to put her hear in a safe place. Just for the time being. So, she put it in a bottle and hung it around her neck. And that seemed to fix things…at first.” THE HEART AND THE BOTTLE by Oliver Jeffers, also author of THE GREAT PAPER CAPER and HOW TO CATCH A STAR.
  • In the early- to mid-20th century, most New York City libraries had live-in superintendents. They were known as the families that lived behind the stacks! And, all their kids had 24-7 access to books. One girl used to have sleepovers and in 1965, went on to hold her wedding in the library.
  • Early library cards were also called “tickets.”
  • In 1886, a library card for the Lowell City Library in Massachusetts stated, “Marking of all sorts on books is punishable by statute with fine and imprisonment, and directors will prosecute.”
  • In 1924, Oakland Free Library (CA) issued two different cards: One was “good for any book.” The other stated, “No fiction shall be issued.”
  • Darby Free Library, which started in PA in 1743, is America’s oldest public library.

By the way, a photographer and journalist came up with the idea of Trivial Pursuit while playing Scrabble. Photographer Chris Haney was always open about being a high school dropout, often joking, “It was the biggest mistake I ever made. I should have done it earlier!” The board game artwork was done by 18-year-old Michael Wurstlin.

And, in case you’re wondering… the word trivia is a derivative of trivium. The origin of trivium is, place three roads meet. Oops, I forgot to share: Peril is a synonym for jeopardy.

Hmm, maybe I am ready for questions. Game on! If my answer is wrong and I get the gong, I’ll simply say, “I Should Have Known That!” (a board game for young adults) and brew up another cup of tea.

 

 

 

 

 

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Filed under Karen McChesney, Main character, WORD NERD

Getting Rid of an Attention-Grabbing Secondary Character

By Rondi Sokoloff Frieder

Over the years, my MG historical novel has been critiqued, revised, submitted, requested, and rejected. It is a grueling process. In fact, there is only one reason why I have not abandoned this project all together – I love this story. I really do.

It was time to take some drastic action. Try something “out-of-the-box.” After thinking about it for weeks, I decided to hire a well-respected private editor to do an in-depth critique. I had recently attended her workshop and felt she would be a good fit for the story.

The editor agreed to do the work and asked me to email the book. I was elated, thrilled, and proud of myself for taking this step. Unfortunately, months went by without a word from her. I began to worry. I became convinced  the manuscript was beyond repair which was why it was taking her so long  to getback to me.  Finally, her response  arrived. I opened the attachment and braced myself for the  news. And there it was,  twenty-four, single-spaced, pages of notes.

I took a deep breath and began scrolling. There was good news and bad news. The good news was that the writing was strong. Yay! I had done a wonderful job of building my world. The setting was  authentic and believable. Double yay! She also loved my lively cast of characters. Jumping up and down!

But there was bad news. Well, let’s not call it that. After all, I had hired this editor to find out what wasn’t working. Bottom line – My main character’s story-worthy problem was not story-worthy. The stakes were too low. The outcome was unsatisfying. I needed to amp it up – make my protagonist’s dilemma more urgent and emotional. I read on, hoping  the editor had provided ideas on how to fix this. She had. She identified two meaty subplots that could  be “mined” and turned into story-worthy problems. Great! I could do that. I loved those subplots.

Except for one more problem. My main character  was being overshadowed by some of the more interesting secondary characters. Ugh!  I had done that on purpose. This particular protagonist was supposed to start out naïve and meek and evolve into a dynamic, action-taking person as the story unfolded. Only it wasn’t happening fast enough. This girl was a wishy-washy pushover who was being too influenced by those around her. Especially her rebellious older sister and her spunky best friend.

The editor assured me that this was a common mistake. Main characters needed to grow and change over the course of the novel. They had to stretch themselves and become risk-takers as they jumped over hurdles and surmounted obstacles. But this girl needed more pizazz, more flaws.  Readers were not going to care enough about her to follow her to the end of the journey.  She had to drive the action more, make larger mistakes, recover, flounder, and keep going until her new story-worthy problem was solved.

My head began to spin as I read through those twenty-four pages. This was going to be a ton of work. A total rewrite! Then, suddenly, a plot-twisting possibility popped into my brain. It was like an annoying mosquito buzzing in my ear.

Get rid of the rebellious sister,” it hissed.

“What?” I said, swatting at the invisible bug. “I can’t. I love that sister. And she’s critical to the plot.”

The buzzing continued. “She needs to gooooo.”

“No,” I said, more emphatically. “She’s too important.”

She’s not,” the insect hummed, flying around to the other ear. “She’s stealing the thunder. Grabbing the attention away from your main character. Delete her! NOW!”

I didn’t want to admit it, but the editing mosquito was right.

I opened my computer and took a deep breath. It was time to re-plot. I began by eliminating the snarky older sister. Then I focused on transplanting her “attention-getting” traits into my main character. I made a new plot-map and merged it with a SAVE THE CAT – Beat Sheet. It was only a preliminary plan, but I could already see my protagonist morphing into someone who was more impulsive and action-oriented. She would have good intentions, but would make a lot of mistakes as she went along. Readers would root for this girl. They would cheer her on as she ran amok before solving her brand new story-worthy problem.

I miss the sister. But deep down, I know my story will be stronger without her.

Have you ever had to get rid of a lovable secondary character? Let me know how it turned out.

 

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Filed under Main character, Rondi Frieder