Marketing Long Before Your Book is Published (And maybe before it is written!)

By Susan Wroble

I used to believe that writing came first, and marketing later. Big Mistake! It is easiest if you learn both simultaneously — they build on each other. Here are a few tips on starting your marketing journey long before your book is published…

Establish writing credentials.

An easy place to start is to write for newsletters. Many groups have regular on-line updates and are delighted to have a member feature or presentation review. For example, when I joined the Denver Rose Society, I knew nothing about growing roses, so I took notes at the meetings. It was easy to turn those presentation notes into short articles for their newsletter. Bonus — I didn’t know the national organization gave writing awards until I got three of them!

Why?

  • Simple — Agents and editors want to see that you write.

Create a blog.

When my writing group, the Story Spinners, created this blog, our goal was simply to push ourselves to learn a new skill. By sharing, we each posted about once a quarter, and we split the costs.

Why?

  • Blogging counts as writing credentials — even if your readership is close to zero!
  • You have a platform that agents and editors can get a feel for your writing and commitment to the industry.
  • A few of the posts have been expanded and been published in paying markets.

Read with purpose.

Read current books in your genre — the key word being “current.” There are blogs for every genre, but one of my favorite ways to find new kids’ books in general (after making friends with librarians!) is through IndieBound, a community of independent local bookstores. IndieBound puts out a quarterly newsletter called “Kids’ Next.” You can pick up a print copy at an independent bookseller, or find it on-line. As an added benefit, it is a fabulous resource for gifts for the kids in your life.

Why?

  • By reading with purpose, you can start analyzing, and learn how other authors have created an arc, or added layers, or built tension…
  • You learn what’s current and what is selling.
  • You learn what is already out there for subjects you want to write about.

Keep a reading log.

Record the author, illustrator (if applicable), publisher, and whatever else is important to you. I find it helpful to snap a picture of the cover. Here’s an example:

Why?

  • You learn the style of various publishing houses.
  • You can track books that are mentor texts.
  • You can track books that are comps for works in progress.

Study and track agents and publishers.

One easy way to research agents and editors is to subscribe to the free twice-weekly Publisher’s Weekly newsletter, Children’s Bookshelf. Other ways to study agents are through the sites Manuscript Wish List or QueryTracker. Here’s a Publisher’s Weekly rights announcement for my friend, author Jocelyn Rish:

Next, track the notices with agents or editors that seem like a good fit for your work. Like my reading log, I created a table in Word. For this table, I record the publishing house, editor, author and title, and the agent who represented the author.

Why?

  • You end up with a perfectly tailored list of agents and editors who represent and publish the type of work that you do.

Use Facebook.

Author Beth Anderson (LIZZIE DEMANDS A SEAT) recently spoke at the Rocky Mountain Chapter of SCBWI’s Denver South Connect & Critique. “I didn’t want to get on Facebook,” she said, “and now I can’t imagine not using it.”

Why?

  • The Groups feature. Instead of scrolling endlessly through a jumble of posts from assorted friends and distant relatives interspersed with ads, you can go directly to a group — think RMC-SCBWI, KidLit411, StoryStorm, 12×12, ReFoReMo, NF Fest…
  • These groups are the easiest places to learn about upcoming events, celebrate successes, and build community. You’ll need that community when your book is ready to debut.

I hope there’s a nugget in this post you find useful. And for you — what are the marketing tips you wish you had known early in your writing journey?

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Reading Goals for the year

Although January started weeks ago, it’s always a good time to reflect on the past and to make plans for the future.

As I first sat down to think about all that I did 2019, I thought about my major writing accomplishments. But as I spent more time considering the full spectrum of writing work I did, it included reading, listening to podcasts, taking classes, and even writing posts for this blog!

Creating Categories

So as I look to 2020, I wanted to focus in on one aspect – reading. The first thing I realized is that I didn’t want a straight reading goal of something like: fifty books. I wanted to be strategic as I thought about what I would read. I came up with the following categories and assigned some numbers:

  • Reading aloud with my kids: Picture books and Harry Potter 6 & 7 (24 + 2)
  • Reading in genre (36)
  • Fiction reading outside of genre (6)
  • Books on writing craft (4)
  • Non-fiction/how-to outside of craft (4)

 

Reading aloud with my kids

At the time of writing, I have eight-year-old-twins. I firmly believe there are picture books suitable for all ages, but there are books that will be less interesting to them – the time when we will sit on the couch reading picture books together might start to fade. While we’re in the zone, I want to capitalize on it.

I’m also currently reading Harry Potter aloud to the boys – I’d like to get through the last two books of the series with them before the summer. It’s something we love to do, and given that their friends talk about it more and more (spoilers abound) it would be good to finish it so there’s a chance for a few more surprises.

 

Reading in genre

This is a huge part of what it means to be a writer, and is recommended across the board. Plus, I love the genre I write in!

 

Books on craft

I love continuing my education and I think reading craft books are great ways to learn something new, but even when it isn’t new information, craft books are right there to remind you of things that you want to make sure to incorporate.

 

Reading outside of genre

I’m a writer and a reader – and while fantasy is completely my jam, that’s not the only type of fiction I enjoy. With the intention of being well-rounded, I want to make sure to dip into a variety of genres. I also learning across the board, and a few non-fiction non-craft books will make it into my reading list this year.

 ***

Whatever you decide for your own reading, think about how variety might help you meet your goals. Once you get your categories, assign numbers to each group, and then happy reading!

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REVISING TEDIOUSLY, ONE TINY TWIG AT TIME

by Karen Deger McChesney

I’m still pinching myself! I recently witnessed a bird building its nest. A dream come true! I was enjoying my morning ritual of sipping coffee and bird watching…and, there he was! A brownish finch with a one-inch twig in its cone-shaped beak, standing outside a birdhouse. I watched my fine-feathered friend retrieve twigs from the tall course grass and turn them this way and that to get them through the birdhouse hole. Incredibly tedious. Impossible. But, he did it. Magical! The most amazing moment was when he hopped out of the birdhouse with a different twig in his bill, laid it on the railing, flew off and retrieved a new one.

Re-decorating? I pictured him inside re-arranging twigs, over and over again. Good heaven, it’s like revising! One tiny twig at a time. Ironically, I arrived late to my revising that morning, because I was so enamored with the finch. I have been revising my first YA for what feels like forever. It’s one huge over-and-over-again. I don’t know what revision I am on. I don’t count anymore. I only countdown to my next self-imposed deadline, psych myself up, and mark the calendar with my next deadline, again and again.

Oh, it’s a grind. Some days, it’s the thickest, darkest molasses and feels like I am merely mucking around. Currently, I am deep in re-arranging – moving entire chapters from end to beginning and all over. It’s a messy experiment! But, alas, I am cutting paragraphs and entire pages that no longer move the story forward – and probably never did. I discovered that I was just in love with the words. Geesh!

Occasionally, I long for the adrenalin rush of writing, especially my first draft. But then, I am caught off guard. Suddenly, something jumps out and looks completely different or new, as if someone else wrote it. Odd. Exciting! I dive into re-building an entire scene, layer by layer, and uncover pieces that need a good polish. It’s fun, but very different than writing; it’s hard to explain. Lately, I think it’s me that is different. I come to the page differently. Maybe, maybe, I am learning the patience of the finch and finally, letting my characters spread their wings and fly higher. I hope. But, of course, I want to be done, already. Fiddlesticks! Enough of this nesting!

I keep wondering why the finch removed twigs. I suppose they didn’t fit the shape of his nest anymore. Hmmm… all I know is, thank you, little bird, for inspiring me to keep on building and re-shaping my story. I want to revise like a finch – slowly, relentlessly, routinely – and be okay with all the unraveling.

It’s work. It’s my job. And, as Elizabeth Gilbert says in The Big Magic, “…90 percent of the work is quite tedious…”

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The Write Way to Retreat


Writing retreats are for writing up a storm, gazing out at lakes, snowy mountainsides, forests … free from the demands of dirty dishes, laundry, and family. Right? For me, the “retreat” part meant sleeping in and healthy snacking. And by “healthy,” I mean my appetite. I started writing first thing in the morning (ok, late morning) and stopped at bedtime, proud of what I’d accomplished.

Then one afternoon, over the crunch of pork rinds, I overheard a critique partner say, “I can write anywhere, but I can’t go to the beach anywhere.”

Lightbulb moment!

Slipping away from my computer and into my swimsuit felt like a writing crime. But exhilaration snuffed out guilt as I ugly-bodysurfed a wave back to shore where a cute lifeguard asked if I needed help. If only I’d been sixteen instead of … older. I imagined how my teen character would have felt: both thrilled and mortified, coughing up saltwater, knees stinging, another wave crashing over her head and destroying her ’do.

My writing senses kicked into high gear. Everything around had life-bringing story potential. The fishy, briny sea air. Gritty sand in my swimsuit. Seagulls squawking over a pork rind (Oops. My bad.).

So this was the retreat part of writing! Experiencing the environment. Time to tune the brain to Radio KIDS.

First experiment—waking up early: 5:15. Yuck. Still, time has an influence on story settings. Not just dark verses light. The sleepy resort town was creepy-quiet, the air fresh—no exhaust. Yesterday’s footprints had washed away, replaced by tiny, bubbling holes where sand crabs hid. Anticipation high, fingers crossed, I hoped the ocean sunrise would crest with a green flash. A blink before the big moment, a one-winged seagull distracted me and I missed it. But self-disgust turned to elation when I spotted a southbound pod of dolphins (porpoises?). All these usable emotions! And what is the difference between dolphins and porpoises anyway? How do those teeny sand crabs survive, unseen beneath tourists’ feet? How often does a green flash happen? This retreat business was adding fodder for picture book and magazine ideas as well!

Next experiment: eat like the locals. First food: scrapple. Forcing a bite into my mouth revived long-buried childhood dread when a chicken liver quivered at the end of my fork. My stomach knotted. My heart swirled with cold. Do I swallow it whole or dare to chew? (I chewed. It tastes a bit like pork rinds.) These reactions would work great in a story! Second food: crab. Holding my breath, I tried not to watch fellow diners pulling white flesh straight from crusty red legs as I popped a piece onto my tongue. I felt my facial muscles contracting into a disgusted grimace. Chugging a glass of water, I wanted nothing more than to wipe the taste away with a napkin. A kid character would do exactly that. A plethora of writing material!

Last experiment: taking it all in. People-watching on the boardwalk. Eagerly waiting in line for a haunted house, squealing when the doors banged just because it felt right. Enacting my writer’s mind. I eyeballed interesting details, sniffed and analyzed everything from waffle cones to B.O., listened to a crowd’s cacophony of voices versus the whooshing ocean below a wave, tasted the salty air, and ran my fingers over puffy plushies and sticky taffy.

And I still got a ton of writing done.

Never underestimate the benefits of a writing retreat. Kayak at sunset. Have a snowball fight. Climb a tree. Writing can be done anywhere. Retreats reignite your senses.

Experience them!

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Breaking Barriers; Inspiring Others: Author Julia Alvarez

In early November,  I had the opportunity to hear Dominican-American author Julia Alvarez (say Hoo-lia!) speak about her life and books. Julia was in Denver to celebrate her book In the Time of the Butterflies, which had been chosen as the “Big Read” for the Denver Community for 2019.

Since her first novel, How the Garcia Girls Lost Their Accents, was published in 1991, I have been an avid admirer of her writing. Her works are known for their vivid characters, multiple points of view, poetic language and her sharp insights into human nature.

Julia Alvarez signing her book, In the Time of the Butterflies.

Julia Alvarez is a powerful female voice in American and Hispanic literature. Her early novels became the first Latina works to find their way into the mainstream of American literature. Now, her books are regularly read as part of the American cannon in schools around the country. At 69-years old, she balances writing, teaching and public appearances with a calm grace.

Dwarfed by the Newman Center stage, Julia reminded me of Yoda: diminutive, humble and infinitely wise. She spoke about her life and her writing, while encouraging and inspiring the packed house of writers who filled the seats.

Here are some highlights from Julia’s wisdom about writing, reading and life. These were culled from a several sources, the presentation that I attended and others I searched out on the internet:

On Inspiration: Where do I get inspired? By the pebble in my shoe, by the thing that unsettles me, by the story that takes me out of myself and makes me see things differently. It’s the story that won’t let me go… the story that I feel I must tell. Curiosity is the place I begin.

On being a “Real Writer:” I used to think real writers started at the beginning and went through to the end, maybe making a change here or there. So I thought I wasn’t a real writer because what I did was so messy. But I know now that writing is messy, but that, when it is all said and done, being a writer is a great blessing. It’s such an honor to be able to do what I was put on this earth to do.

On History: History is the story we tell ourselves about what really happened. What we remember is always filtered through a point of view. A novel is a lens to see a story and is the truth according to character. Novels arise out of the shortcomings of history. Just the facts can’t begin to tell the full human story.

On the Power of Stories: Stories have the ability to transform, encourage empathy and spur the imagination. Stories have the ability to show us our full humanity. I believe stories have the power to change the world.

On Books: I found, at the table of literature, a place where all were welcome. Here, I entered worlds, between the covers of books, that I longed to know more about. Being a reader is the beginning of being a writer. Once you become a reader, you realize that there is one story you haven’t read… it’s the story only you can tell.

On Revising: I am an endless reviser. When you begin, you write the best book you can write at that moment. Revision is part of the process of growing and improving as a writer. Through revision you read your book as your reader would and change your book for them. You become the best advocate for your reader through revision.

On Reading and Writing: Whether we are reading or writing a book, when we see with clarity all the complexity of another person, it is an amazing connection to humanity. When we walk in another’s shoes, it is a radical, transforming experience.

On Process: I am a person of ritual and I like structure. I write every single day. Sometimes the muse comes and sometimes it doesn’t. But writing is a muscle and needs to be exercised everyday. A dancer doesn’t just dance when she feels like it, she dances and practices everyday. This is the same of a writer.

On Characters: Give thanks to your characters and the stories they came to tell you. Honor them and put them to rest. The truth your characters speak is multifaceted, and what I love about a story is that it can hold all of the complexity that exists in that situation.

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Writing While Traveling

By Rondi Sokoloff Frieder

Did you know there’s a direct flight from Denver to Tokyo? Okay, so it’s twelve hours. But rather than imagining this experience as an unending nightmare of neck cramps and bad food, I reframed it in my mind as a mini-writing retreat.

In preparation for my trip, I splurged for the extra leg room and filled my backpack with healthy snacks, compelling books, and my lightweight laptop. I’d have plenty of time for reading and writing since I was flying solo and meeting my family in Japan. When I boarded the plane, I was delighted to discover that there was an empty seat between me (by the window) and the person on the aisle. We introduced ourselves, chatted , then pulled down our tray tables and got to work.

I wrote for two hours. Then I took a break, ate my salad, and headed to the bathroom. But when I settled back into the cozy nook of my seat, the lights on the plane suddenly dimmed. The plane now had a nighttime vibe, even though it was only 5:00 pm Denver-time. My eyelids drooped. My mind was a ball of fuzz. I put the laptop back in my pack and clipped the tray table into place. Then I snuggled under the soft airplane blanket, my squishy pillow wedged against the window, and fell asleep. When I woke up a few hours later, I did not feel at all like writing. Instead, I watched a movie… or two… or three! I never even took the laptop out of my pack. So much for the writing retreat.

When I arrived in Tokyo the following day, I met up with my family, went to the hotel, and crawled into bed at a somewhat normal hour. But at 5:00 a.m., bazinga, I was wide awake. Jet lag! It wasn’t the best way to adjust to my new time zone, but it was a wonderful time to get some writing done. I tiptoed out of bed, unpacked my laptop, and began working on a new chapter. Again, I wrote for two hours.

But as the days went on, the jet lag began to fade. The 5:00 a.m. wake-up time turned into 7:00 or 7:30. I barely had enough time to shower and eat breakfast before starting the day. On other trips, I have often take some time off to write in a chic café or a charming apartment. But here in Japan, it was hard to rationalize hanging out in a coffee shop when everyone else was eating noodles, visiting Shinto shrines, and strolling through tranquil Japanese gardens. Plus, this was a family trip. Our two sons do not live in Denver and I treasure the time I can spend with them.

You may be thinking, “Give it up, sister. Take a break from writing and just enjoy yourself. Geez, you’re in Japan. It’s a once in a lifetime trip.” And on some level, I’d agree with you. But in my regular life, I had finally developed a daily writing habit. I was not eager to give it up. Plus, this was a three-week trip. That’s a long time for any dedicated writer to go without writing.

Here’s what I decided to do:

 

  1. On most days, I forced myself to get up early. That gave me an hour of writing time, which was enough to give me a sense of accomplishment and keep my novel moving forward.
  2. I jotted ideas down throughout the day on the “Notes” app on my phone. I also took tons of inspirational photos.
  3. In the evenings, when I was too bleary-eyed to write, I spent thirty minutes reading books, blogs, and articles related to my writing.
  4. I wrote on the train as we traveled the country. In Japan, the supersonic bullet trains are quiet and smooth. And most have tray tables!
  5. I spent a lot of time thinking about my book, especially at museums, memorials, and gardens. Ideas would spark as I watched a fish swim in a pond or a child run in a park.
  6. I gathered information. This often meant asking questions or taking extra time in a museum. The book I’m working on takes place in 1942. And although the events of WWII in my story mostly occur in Europe and America, Japan’s involvement is also relevant. After visiting the memorial park in Hiroshima and viewing the statue of Sadako Sasaki and the overwhelming display of origami paper cranes, I realized that Sadako was the Japanese counterpart of Anne Frank. This inspired me more than I could have imagined and made me think hard about my main character. She would have been about the same age as both these girls.
  7. I got new ideas for future stories: A child is lost and living in a bamboo forest; a carp spends its days swimming in a town full of mountain spring water canals; toilets open, flush, and close on their own; vanilla ice cream is best with hot sweet potatoes; colorful umbrella boutiques; and all those cute little animal socks. Who knows what tidbit will show up in my next story?!

.

In researching this topic, I found Sarah Rhea Werner’s podcast and blogpost “Tips for Writing While Traveling” very helpful.

 https://www.sarahwerner.com/tips-for-writing-while-traveling-wn-063/

I particularly love her last comment.

You don’t have to spend every second of free time taking notes or committing everything to paper. Simply experiencing the world and looking at your surroundings through a different lens will benefit your writing. I am a firm believer that even the most mundane travel has the potential to broaden a writer’s mind. With a little forward thinking, I’m confident you can find inspiration in any situation!”

 

 

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Hot Off the Shelf

My favorite part of walking into the children’s section of a bookstore is stopping to check out the displays. Books new and old invite fingers to flip through the pages and fall in love with a good book. Last month, I attended the RMC-SCBWI Fall Conference and checked in at one of the hot spots, the book store.

The great thing about conference bookstores is that they have a smaller selection and it’s easier to see all of the books exhibited. I love being exposed to oldies but goodies and recent releases from favorite and new authors. I’m exposed to books that I haven’t yet read but simply must add to my nightstand collection. It’s a great way to keep up on what styles and genres are selling in the current market.

The books being sold often include authors who are local and are attending or presenting at the conference. This is a great opportunity to support those writers that you rub elbows with in critique groups, at conferences, and whose stories you enjoy reading. One of the perks of buying at the conference, is walking over to their autograph table and getting your books signed. And maybe, if you’re lucky, you might even get a picture.

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Vacation Research and Golden Pens

By Susan Wroble

About a year ago, I opened up an email and fell in love.

The email was actually a link to articles from Live Science, and the story I fell in love with was Laura Geggel’s about a new dinosaur. The article quoted Cristiano dal Sasso of the Natural History Museum in Milan. “It is a miracle that it survived such a long chain of events: drifting away to the sea, then floating, sinking, being scavenged by marine animals, reworked by sea bottom currents, buried, uplifted within a mountain chain, and eventually blown up by human explosives.”

With a background in engineering, I love processes. I love mapping out the big picture, figuring out what comes next. And the process that transformed the dinosaur now known as Saltriovenator zanellaiinto a fossil was incredible. I couldn’t get enough.

I downloaded all the articles on Saltriovenator. I poured through the 78-page scientific paper, marking it up with different colored highlighters. I asked volunteers at the Denver Museum of Nature and Science’s Prehistoric Journey to help with the parts I didn’t understand. I started working on a draft of a nonfiction picture book about this miracle fossil. And I told my husband that if we could swing a vacation this year, because what I wanted most of all was to find out more about this dinosaur.

And last month that dream came true! From the guidebooks, I hear that Milan is full of amazing art, incredible fashion and is the gateway to the stunning Italian lake district. I am sure that is correct — but we missed those parts.

Instead, paleontologist del Sasso led me to his office and slid open a drawer — and I was able to hold one of Saltriovenator’s 200-million-year-old bones. The next day, he escorted us to a talk in the town of Guissano, north of Milan. There, we met with Angelo Zanelli, the amateur fossil hunter who, back in 1996, discovered that same dinosaur bone while searching for ammonites, then notified just the right people of his find.

I know that my manuscript has many more rounds of revision in front of it, but I was surprised and honored this weekend. At the annual conference of the Rocky Mountain Chapter of the Society of Children’s Book Writers and Illustrators (RMC-SCBWI), I was nominated for their Golden Pen award for my story “How to become a Miracle Fossil.”

And I have a new goal — I’m planning research vacations more often!

 

 

 

 

 

 

 

 

 

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Making Steady Progress

I love Scrivener – I think it’s an absolute game changer when you’re working on a novel. It allows you to plot things out, move sections easily around, see how many words you have in a given chapter – I could go on and on. And I’m sure I will in another post.

But one of my favorite things it does is allow me to track how much I’m writing each day. Word will tell me how many words are in my document, but Scrivener will tell me how many words I’ve typed that day at a glance. See the picture at the top of this blog post.

And that really helps a goal-oriented person such as myself. It also helps if you are doing a NaNoWriMo style challenge – it makes it crystal clear if you’re staying on target and helps you fill in your stats as you go.

For my current work in progress, I’ve been trying to be more aggressive, striving to hit a thousand words each time I write, and trying to write every day. I start each day knowing this is my goal, but one of the things that keeps me going is this little box.

It’s the way you run for the lamppost. When you’re running, and you need to inspire yourself to go farther, and you think to yourself, “I just need to get to the lamppost.” And you set that target for yourself into the distance, something challenging to keep you going, yet that you know you can achieve.

I try not to obsess as I work, and happily toggle the box off and on as I go.  ([ctrl-comma], for PC users who like keyboard shortcuts, as I do.) I do get a happy little boost as I toggle it back on – okay, two hundred more words down! And then I toggle it off again and get back to work.

Sometimes it’s the desire to hit the thousand-word mark that keeps my laptop open. Sometimes it’s looking at the length of my overall novel, and seeing that if I just write another sixty-seven words, I can make it to another milestone round number. But all of these things push me to get more on the page. And the more I get on the page, the further along I am, the closer I am to getting out of drafting and into the revision stage.

Setting a goal, and seeing my visual progress toward it, inspires me to keep going, keep writing, keep typing, keep trying. And anything that keeps me moving forward is a winner in my book.

What inspires you to get one more word on the page?

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Caution: Writer behind the wheel!

“Caution: Student driver driving.”

I kept re-reading these four words as I waited in a long line at a stop sign. It certainly wasn’t the first time I’ve seen this sign in the rear window of a car. I was fixated. I grinned. Then, suddenly, I bust out laughing. For gosh sakes, if anyone needs a sign in their rear window, its writers! Driving is prime thinking time; it’s when ideas hit.

For the record, I don’t imagine and drive! Well, it’s hard to explain. I guess I do. Ideas hit when I am: stuck in traffic and barely moving; in a long line at a stop sign or light; backing out of my driveway; or, have just parked. And, occasionally, I take a spontaneous detour, like when I recently saw a cathedral. I parked up close, jotted notes and drew pictures. What an excuse for arriving late! “Sorry, but, I drove 10 miles out of my way, because I needed to fine-tune a description of a building in my novel…”

So, does driving really shift something in our brains and fire up our creative engine? Researchers have found that any bodily movement builds brains, according to Kimerer LaMothe, PhD, author of Why We Dance: A Philosophy of Bodily Becoming. Yes, even driving! Every movement a human makes matters, and repetitive motions deepen and strengthen future attention and energy flow. Hmmm…sure sounds like typing, writing longhand, plus, all the routine movements of a writer – turning on a laptop, standing up and walking to a printer, shuffling through papers. And, don’t forget, every little movement involved in brewing coffee, tea, and tearing the wrapper off of chocolate.

After seeing that student driver sign, I came home and drafted a list (instead of revising my works in progress). Here’s my final list of signs for writer’s cars:

Caution: Writer driving.

Be patient. Writer driver decided to get rid of a character.

This vehicle makes frequent stops and turns frequently. Writer driver pulls over to scribble ideas.

How’s my driving? Call your librarian.

Imaginary load.

Warning: Stay close. Writer driver studying you in her rearview mirror. Wants her main character to have your hairdo.

Caution: Slow moving vehicle. Writer driver sighted a landmark that she wants to feature in her book.

This vehicle stops at all railroad crossings. Writer driver studying crossings for accurate portrayal in her book.

Our adult writer driver is on a Revising Roll.

Perhaps, I should relocate my office to the inside of my car – and sit in my driveway and type away! I’ll wait till fall, when the temperature drops.

 

 

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